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Harmon Mountain Studios
Collections
Available Work
Byron Harmon
Don Harmon
Carole Harmon
Mtn. Tales
About
A Visual History
Byron Harmon
Don Harmon
Carole Harmon
Tintypes to Digital - Notes on Technique
Land Acknowledgement
Contact
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Harmon Mountain Studios
Collections
Available Work
Byron Harmon
Don Harmon
Carole Harmon
Mtn. Tales
About
A Visual History
Byron Harmon
Don Harmon
Carole Harmon
Tintypes to Digital - Notes on Technique
Land Acknowledgement
Contact
0
0
Collections
Folder: Available Work
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Byron Harmon
Don Harmon
Carole Harmon
Mtn. Tales
Folder: About
Back
A Visual History
Byron Harmon
Don Harmon
Carole Harmon
Tintypes to Digital - Notes on Technique
Land Acknowledgement
Contact
Byron Harmon Calumet Creek Camp, 1911
Calumet Creek camp, 1911.jpg Image 1 of 5
Calumet Creek camp, 1911.jpg
DETAIL, Calumet Creek camp, 1911.jpg Image 2 of 5
DETAIL, Calumet Creek camp, 1911.jpg
PRINT on background, Calumet Creek camp, 1911.jpg Image 3 of 5
PRINT on background, Calumet Creek camp, 1911.jpg
calumet creek camp 1911.jpg Image 4 of 5
calumet creek camp 1911.jpg
Rolling-print-for-packaging.jpg Image 5 of 5
Rolling-print-for-packaging.jpg
Calumet Creek camp, 1911.jpg
DETAIL, Calumet Creek camp, 1911.jpg
PRINT on background, Calumet Creek camp, 1911.jpg
calumet creek camp 1911.jpg
Rolling-print-for-packaging.jpg

Calumet Creek Camp, 1911

from $350.00

Mosquitoes or horse flies must have been bad. The Canadian group: Jim Harvie, George Kinney, Conrad Kain (looking at the photographer), and Curley Phillips are clustered on one side of a smudge by a tree and the Smithsonian group: Charlie Walcott, Harry Blagden, R.H. Riley, and Ned Hollister (with pipe) on the other. A.O. Wheeler sits behind the Smithsonian group. A smudge is created by burning green boughs for smoke to drive off insects.

Exhibition-quality archival digital print made with pigment inks on acid-free cotton fibre paper.

High resolution scanning and restoration of original negatives and transparencies by Carole Harmon.

Print sizes available:

  • 15×22 inch print = 14×21 inch image + ½ inch border on 15×22 inch paper.

  • 21×31 inch print = 20×30 inch image + ½ inch border on 21×31 inch paper.

Other good things to know:

  • Shipping is included in the price.

  • Prints are unframed. Choose your own custom framing options with your local framer. Contact us if you wish to receive our framing recommendations.

  • Image views: full image, detail, full image with border (as it arrives to our collectors), installation composite, packaging.

Custom prints or projects:

If you’d like to inquire about a custom print size, or have a special project, please connect through the Contact form.

Size:
Quantity:
Purchase

Mosquitoes or horse flies must have been bad. The Canadian group: Jim Harvie, George Kinney, Conrad Kain (looking at the photographer), and Curley Phillips are clustered on one side of a smudge by a tree and the Smithsonian group: Charlie Walcott, Harry Blagden, R.H. Riley, and Ned Hollister (with pipe) on the other. A.O. Wheeler sits behind the Smithsonian group. A smudge is created by burning green boughs for smoke to drive off insects.

Exhibition-quality archival digital print made with pigment inks on acid-free cotton fibre paper.

High resolution scanning and restoration of original negatives and transparencies by Carole Harmon.

Print sizes available:

  • 15×22 inch print = 14×21 inch image + ½ inch border on 15×22 inch paper.

  • 21×31 inch print = 20×30 inch image + ½ inch border on 21×31 inch paper.

Other good things to know:

  • Shipping is included in the price.

  • Prints are unframed. Choose your own custom framing options with your local framer. Contact us if you wish to receive our framing recommendations.

  • Image views: full image, detail, full image with border (as it arrives to our collectors), installation composite, packaging.

Custom prints or projects:

If you’d like to inquire about a custom print size, or have a special project, please connect through the Contact form.

Mosquitoes or horse flies must have been bad. The Canadian group: Jim Harvie, George Kinney, Conrad Kain (looking at the photographer), and Curley Phillips are clustered on one side of a smudge by a tree and the Smithsonian group: Charlie Walcott, Harry Blagden, R.H. Riley, and Ned Hollister (with pipe) on the other. A.O. Wheeler sits behind the Smithsonian group. A smudge is created by burning green boughs for smoke to drive off insects.

Exhibition-quality archival digital print made with pigment inks on acid-free cotton fibre paper.

High resolution scanning and restoration of original negatives and transparencies by Carole Harmon.

Print sizes available:

  • 15×22 inch print = 14×21 inch image + ½ inch border on 15×22 inch paper.

  • 21×31 inch print = 20×30 inch image + ½ inch border on 21×31 inch paper.

Other good things to know:

  • Shipping is included in the price.

  • Prints are unframed. Choose your own custom framing options with your local framer. Contact us if you wish to receive our framing recommendations.

  • Image views: full image, detail, full image with border (as it arrives to our collectors), installation composite, packaging.

Custom prints or projects:

If you’d like to inquire about a custom print size, or have a special project, please connect through the Contact form.


Harmon Mountain Studios

Historic, exhibition-quality photographs from the Canadian Rocky Mountains.
A century of wilderness landscape nature photographs from the Harmon family, now available to purchase as fine prints.
Collections | Available Work | About | Contact | Land Acknowledgement